一、【器物概述】
溪山作天龙寺青瓷双耳瓶，高30厘米，口径10.5厘米，底径11厘米，为当代青瓷名家加藤溪山家族的代表作之一。加藤溪山家族自1879年创立以来，已传承至第三代，其作品以仿宋元青瓷技艺为核心，融合传统工艺与现代审美，深受国际收藏界赞誉。此瓶器型规整大气，釉色纯净莹润，兼具实用性与艺术性，是收藏与陈设的绝佳之选。
二、【工艺特色】
1. 釉色与胎质 瓶身施以原矿青瓷釉，釉色温润如玉，肥厚油润，呈现典型的“类玉”质感。釉层凝润光滑，色泽青翠欲滴，在光线下透出翡翠般的通透感，体现了加藤溪山家族对传统青瓷釉色的极致追求。胎质细腻紧密，白中泛青，与釉色相得益彰，彰显出宋代龙泉窑“青如玉、明如镜、声如磬”的审美精髓。
2. 造型与装饰 瓶身采用双耳设计，耳部造型灵感源自宋代龙泉窑经典纸槌瓶形制，但细节处融入创新。双耳线条流畅，与瓶身形成优雅的S形曲度，既保留了传统器型的端庄稳重，又增添了动态美感。瓶口至肩部饰以天龙寺纹样，以浮雕技法呈现，线条细腻，纹饰清晰，寓意祥瑞，彰显匠人高超的堆塑技艺。
3. 烧制工艺 此瓶采用多次上釉、多次素烧的复杂工艺，在强还原气氛下烧制而成。釉层肥厚均匀，无流釉或积釉现象，底部露胎处泛火石红，为传统龙泉窑石灰碱釉的典型特征。烧制过程中对温度与气氛的精准控制，使釉色达到“梅子青”或“粉青”的至高境界，堪称当代青瓷烧制技艺的典范。 三、【文化价值】
1. 历史传承 加藤溪山家族三代人深耕青瓷领域，其作品既承袭了中国宋元青瓷的精髓，又融入日本匠人的独特审美。此瓶以宋代龙泉窑双耳瓶为蓝本，结合现代设计理念，展现了青瓷艺术跨越时空的生命力。 2、艺术收藏 作为昭和时期年代物，此瓶品相完好，原箱保存，具有极高的历史价值与艺术价值。其釉色、造型与装饰均达到收藏级标准，是青瓷爱好者与收藏家不可多得的珍品。 3、陈设美学 瓶身尺寸适中，适合置于书房、茶室或客厅，作为插花器或装饰摆件，既能彰显主人的文化品位，又能为空间增添一抹古朴雅致的东方韵味。
四、【推荐理由】 溪山作天龙寺青瓷双耳瓶，以精湛的工艺、典雅的造型与深厚的文化底蕴，成为当代青瓷艺术的杰出代表。无论是作为收藏投资，还是家居陈设，此瓶皆能满足高端藏家与美学爱好者的需求，堪称一件值得世代传承的艺术珍品。 五、【温馨提示】 青瓷器物需避免剧烈温差与硬物碰撞，日常清洁可用软布轻拭，以保持釉面光泽。若需长期保存，建议置于恒温恒湿环境中，并避免阳光直射。
Recommended high-quality celadon double ear vase made of celestial dragon poetry in Xishan
1、 [Overview of Artifacts]
Xishan's Tianlong Poetry Celadon Double Eared Vase, measuring 30 centimeters in height, 10.5 centimeters in diameter, and 11 centimeters in bottom diameter, is one of the representative works of the contemporary celadon master Kato Xishan family. Since its establishment in 1879, the Kato Kiyama family has been passed down to the third generation. Their works are centered around imitating the celadon craftsmanship of the Song and Yuan dynasties, integrating traditional craftsmanship with modern aesthetics, and are highly praised by the international collection community. This bottle has a regular and atmospheric shape, with a pure and lustrous glaze color, combining practicality and artistry, making it an excellent choice for collection and display.
2、 [Craft Features]
1. Glaze color and texture
The bottle body is coated with original mineral blue porcelain glaze, which is warm and smooth like jade, thick and oily, presenting a typical "jade like" texture. The glaze layer is smooth and lustrous, with a vibrant green color that exudes a jade like transparency under the light, reflecting the ultimate pursuit of the Kato Kiyama family for traditional celadon glaze colors. The texture of the body is delicate and tight, with a bluish white hue that complements the glaze color, showcasing the aesthetic essence of the Song Dynasty Longquan kiln's "green like jade, bright like a mirror, and sound like a bell".
2. Styling and Decoration
The bottle body adopts a dual ear design, and the ear shape is inspired by the classic paper hammer bottle shape of Longquan kiln in the Song Dynasty, but innovative details are incorporated. The smooth lines on both ears form an elegant S-shaped curve with the bottle body, retaining the traditional dignified and stable shape while adding dynamic beauty. The bottle mouth is decorated with a dragon poem pattern from the neck to the shoulder, presented using relief techniques. The lines are delicate and the decorations are clear, symbolizing auspiciousness and showcasing the skilled sculpting skills of the craftsmen.
3. Firing process
This bottle is fired using a complex process of multiple glazing and multiple firing in a strong reducing atmosphere. The glaze layer is thick and uniform, without flowing glaze or accumulated glaze phenomenon, and the bottom exposed area is covered with flint red, which is a typical feature of traditional Longquan kiln lime alkali glaze. The precise control of temperature and atmosphere during the firing process enables the glaze color to reach the highest level of "plum green" or "powder green", which can be regarded as a model of contemporary celadon firing techniques.
3、 Cultural Value
1. Historical Inheritance
The Kato Kiyama family has been deeply involved in the field of celadon for three generations, and their works not only inherit the essence of Chinese Song and Yuan celadon, but also incorporate the unique aesthetic of Japanese craftsmen. This bottle is based on the double ear bottle of Longquan kiln in the Song Dynasty, combined with modern design concepts, showcasing the vitality of celadon art that transcends time and space.
2. Art Collection
As a vintage from the Showa period, this bottle is in good condition and preserved in its original box, possessing extremely high historical and artistic value. Its glaze color, shape, and decoration all meet the collection level standards, making it a rare treasure for celadon enthusiasts and collectors.
3. Display Aesthetics
The bottle has a moderate size and is suitable for placement in study rooms, tea rooms, or living rooms as a flower arrangement or decorative ornament. It can not only showcase the owner's cultural taste, but also add a touch of ancient and elegant Eastern charm to the space.
4、 【 Reason for recommendation 】
Xishan's Tianlong Poetry Celadon Double Eared Vase, with exquisite craftsmanship, elegant design, and profound cultural heritage, has become an outstanding representative of contemporary celadon art. Whether as a collection investment or home decoration, this bottle can meet the needs of high-end collectors and aesthetic enthusiasts, and can be regarded as an art treasure worth inheriting for generations.
5、 【 Warm Reminder 】
Blue porcelain objects should avoid severe temperature differences and collisions with hard objects. Daily cleaning can be done by gently wiping with a soft cloth to maintain the gloss of the glaze surface. If long-term storage is required, it is recommended to place it in a constant temperature and humidity environment and avoid direct sunlight.
